Sunday, June 29, 2008

Insider's Look: Super Hero Tank


Readers of my blog get the first look at my new home page photo every month. This is another in my Americana collection.

I shot this photo during the 1991 Desert Storm parade. A belated salute to
the men and women who served, the parade was a serious affair. That's what
puzzled me even then. What in the world is a super hero doing on the back of this
tank?

Be the first to buy a Super Hero Tank print and get a 50% discount on the size of your choice.

Friday, June 27, 2008

Blog-o-Meter Reading June 27, 2008

Search results for Molly Ahearn:
• Google: #1
• Yahoo: #1
• MSN: #1

Google Page Rank for my site: 2 (out of 10)

Number of page views to this blog: 2209

Number of page views to my site: 1787

Number of email subscribers: 17

Thursday, June 26, 2008

Quick Color Correcting Using Curves Adjustment Layer

Learned this invaluable basic color correcting tip years ago in a book by Scott Kelby, Photoshop guru, and have used it on every image since.

1. Create Adjustment Layer. Open an image. At the bottom of the Layers window, select the Curves... Adjustment layer. In the screen that pops up, you'll see a curves graph with a grayed out histogram behind it of the pigment in the photo.

2. Set Black. Just beneath the graph are 3 eyedroppers. Double click on the black eyedropper (far left), set your black RGB values to 10-10-10 and click ok. You'll find that the black eyedropper is still selected. Roll over the image's darkest spots until you find the blackest (helpful to have your info menu showing to help you do this) and click on it.

3. Set White. Now double click on the white eyedropper (far right) and set the RGB values to 240-240-240. With the white eyedropper still selected, roll over the image's lightest spots until you find the lightest and click on it.

4. Set Gray. This is where the meat is. Double click on the middle eyedropper, the RGB values should be 128-128-128. With the gray eyedropper still selected, click on something in the image that should be (but might not be) gray. This step isn't always easy and may require several attempts. When you're happy with the results, click ok.

5. Quick global adjustments. Once you've set your 3 color points, you can apply global lightening or darkening very easily. To lighten, grab the middle of the straight graph line and move it up. To darken, grab the middle of the straight graph line and move it down. You'll notice that a dot was created on the line where you grabbed it. You can then grab a different spot on the line and move it up or down to lighten or darken highlights or shadows.

6. Flexibility of Adjustment Layers. The greatest thing about adjustment layers is that you haven't changed the original image layer. You can add the curves adjustment layers to accommodate different printers or display situations. If you've shot a series of images with the same lighting, you can copy a curves adjustment layer by dragging it into another image.

Tuesday, June 17, 2008

Get Your Own Web Address

Like everything internet, figuring out how to set up your own web site address seems impossible, but is really very simple to accomplish.
  • Navigate to Network Solutions. [There are many other places that will do this, but this is the one I use.]
  • Enter the name that you’d like to have for your web site in the “Find a Domain Name” box. Hit the Search button.
  • A secondary screen will come up letting you know the name is available. If it’s not available, try another name. Click the “Add Domain(s) to Order” button.
  • Decide whether you’d like Network solutions to host your site (the place you’ll upload your files). If yes, select a hosting package, If no, select the “Continue Without Adding Hosting” button.
  • The cost of just registering your domain name is $35.00 for one year.
That’s all there is to it. From experience, I can tell you that even if you aren’t capable of designing your own site, you should register your domain name yourself. If you let your host company do it for you, they are not always happy to provide you with your domain account information if you want to change hosts. Let me know how it goes.

Saturday, June 14, 2008

Send Your Best Photo

Whatever you see this summer—a painted sunset of the dock on the bay, morning dew on a delicate orchid, out-of control white water rafting on the Colorado, or barbecuing ribs on your backyard grill, frosted beer in hand—keep my photo contest in mind. I want you to enter the best of your best. Entries due by November 30, winners to be judged by visitors to my blog during the month of December. Check my site for full details.

Tuesday, June 10, 2008

Shoot for the Stars—Enter Aperture's Portfolio Prize

Entering photo competitions can be a frustrating and sometimes demeaning experience. I have scars to prove it. Judges' tastes vary widely. One of your images may be heralded by one and slammed by another. There is one contest, however, that is worth entering every year–Aperture's Portfolio Prize. Because, if you win, the acclaim and backing of Aperture can catapault your career, and if you lose, no sweat, it's a long shot anyway.

For those of you who have never heard of Aperture, it is an international arts organization dedicated to promoting fine photography. Founded in 1952 by Ansel Adams, Dorothea Lange, Barbara Morgan, Minor White, Beaumont Newhall, and Nancy Newhall, its first accomplishment was Aperture magazine. In the fifty years since, they have published books, limited edition prints, hosted exhibitions and lectures, and offered one-of-a-kind educational opportunities for photographers. Being chosen for any of their offerings is an invaluable seal of approval.

The first Portfolio Prize was in 2007. The winner, Jessamyn Lovell, presented a memorable, sensitive collection of images of her own family. The everyday scenes of her paralyzed mom, her brother with his severe burn scars, her two sister and herself are revealing, tender and often surprising. Her mother, in one shot, sits in her wheelchair with a shotgun in her hand and a dare on her face.

What They're Looking For
• Photography that is different and that has not been published or exhibited.
• A collection of 15 images.

How to Enter
  • You have to subscribe to Aperture to enter—a very worthwhile publication.
  • Set up an account at cafĂ© (www.callforentry.org).
  • Submit your images, resume, artist's statement and a $25 entry fee.
  • You can enter two different portfolios, but you have to pay a fee for each.
  • Due date is Friday, July 11, 2008. Winners will be contacted by November 1, 2008.
Prize
• $2,500 first prize
• Winner and runners-up are featured on Aperture's website for a year

Sunday, June 8, 2008

About Town Hired Me to Write an Article


























A month or so ago, Paul De Angelis, Editor of About Town called to ask if I’d be interested in writing an article about Bob Grems’ first year as Dutchess County Fair Manager. Took me by surprise that someone would want to hire me for my writing skills! I’m always ready to talk about the fair though, and once Bob told me he’d be thrilled to help me out, I took the job. If you’re local, pick up a copy. If you’re not, download a pdf or go to About Town online.

Friday, June 6, 2008

Denali: Killer Peak or Gentle Giant?


As I was looking through images to send to Photoshelter.com, I relived our flight over Mt. McKinley last summer and thought I'd share another day from my Alaska journal.

August 10, 2007. A good night’s sleep, a shower, couple loads of laundry were medicine for the soul. My original plan for coming to the South side of Denali National Park was to participate in some of the commercial activities—whitewater rafting, flightseeing, airboat rides. At the tour desk they told us there is no whitewater only flat, slow rivers which never interest Bill. The flightseeing prices are steep. We hemmed and hawed. The sky was as clear and blue as a fall day in New England. If we were going to fly, today was the day to do it.

I interviewed by phone every tour company and got a good feeling from Alaska Bush Air. They fly float planes from a picturesque lake we’d seen on the Talkeetna Spur Road. The woman’s name was Molly and compared to all the others her prices were reasonable for a two-hour tour of Denali with a landing on a glacier lake.

The office is a log cabin with a roof made of grass. Molly showed us the flight plan on a topo map. It took Bill and I two seconds to decide to go for the full two-hour ride. We grabbed coats, binos and cameras. Molly introduced us to Jason, our pilot. The takeoff was so smooth we didn’t notice we were off the ground. Bill was delighted to ride ‘right seat.’ Ryley and I were cozy in back, looking out over-sized windows. Ryley loved talking into the mic on his yellow headset. In season Talkeetna is the busiest private airport in the United States, but there is no control tower to keep track of all the traffic. Pilots calmly announce flight plans and key location marks to each other.



First, we flew over the Susitna River valley, its silty waters still high from yesterday’s torrential rain, its banks lined with spruce trees. We saw many lakes and wetlands. From the back seat we couldn’t track our approach to the mountains, so we didn’t realize we were there until the Tokositnas were beneath us and all around us. We followed the Ruth Glacier straight into Denali’s belly. Our steady craft travelled only a couple hundred feet above craggy peaks and glaciers, crevice-filled with the late summer heat. Little pools of aquamarine glistened like rock candy. This is a vast, desolate and intimidating place. Denali means the Great One in the Athabasca language. Seeing it from this vantage point, it is easy to understand why they deem it holy. We banked so close to a granite wall Ryley exclaimed, “I can see the texture of the rock!” Don Sheldon’s amphitheater is the bowl-like base camp. Climbing season over, it was abandoned, only the faintest human prints showing. Jason pointed out the climber’s route along a ridge to the summit. Base camp in the amphitheater is at 7,500’. On this sunny, cloudless, windless day, the climb looked possible from up here.

In order to climb McKinley, mountaineers pay $200 for a National Park permit. From mid-May to mid-July they’re on the mountain. This year about 1200 set out, only half succeeded; two died on Denali and three others died on Foraker and Mt. Hunter. Park Rangers monitor climbers from the 7,500’ base camp as well as a 14,000’ base camp. Altitude negatively affects decision-making so rangers stay at the 14,000’ camp for two-week periods. All human waste is containerized and flown off the mountain. Climbers must eat 4-5,000 calories
a day until they reach the last section when they eat very little. Tax dollars pay for rescue teams and vessels.

Cruising across Tokositna Glacier, we look down its 35-mile length. It looks river-like and gray with gravel, not smooth white ice. I imagined a swirling wind spinning like a dervish through the glacier valley whipping dust, gravel and ice particles all over everything. Jason warned us to clear our ears frequently for the descent to Chelatna Lake. This was my favorite part of the flight. The plane banked hard at every curve of the river below. As we descended below the treeline, we couldn’t help but gasp at the beauty of the turquoise lake below. We glided smooth as ducks onto its smooth surface and parked on a white sandy beach. Jason and Ryley tossed perfectly flat skimming stones. Ryley spotted fresh bear tracks. Mama grizz and two cubs had been fishing here recently. You can never let your guard down in Alaska. Another float plane landed giving its Anchorage passengers a chance to pee before continuing into the bush somewhere.



Time to go. We took off and I was trying to get a shot of the lake and the mountains and saw an aluminum canoe-looking boat submerged, only one paddle aboard. I said so into my mic. Then I spied people on shore waving frantically. I said so. Jason said nothing and for a minute didn’t change direction, leaving us to wonder. Then, he banked and landed near the boat. The men were frantically calling because they didn’t hear Jason’s calls to them. Deftly he maneuvered the plane to the shipwrecked vessel—a portable fishing boat, its motor fully submerged. He tied it to the back of one of the floats, piling the backpack, fly rod and paddle on top of the float. We drove over to the other paddle. Bill asked if these are the fishermen he dropped off in the morning and he confessed, yes. The ultimate man of few words, it was much later we learned that the sunken boat was his! The dry fisherman with all the stuff hanging from his waders was panicky. The other guy was in the boat solo when it capsized in the middle of the lake. The dry one thought his friend had hypothermia, but the guy seemed okay when he came over; shivering but lucid. Jason asked if the motor was running when it capsized—yes, they answered. Jason wasn’t pleased. The wet guy should have ridden with us, but wouldn’t leave his buddy. They agreed that Jason would fly us back and return for them right away. They were lucky; the sun saved their lives. We didn’t mention the grizzly tracks.

Airborne again we crossed back over the river valley to Fish Creek. Jason greased another landing. Float planes can land on water, snow, ice, even grass—the ideal way to get around back country Alaska. Molly showed us a pair of sockeye battling the current in the stream to the lake. They were red and when Bill watched closely, he realized they were spawning. The female turned sideways to clear a space with her tailfin, laying eggs that the exhausted male would fertilize before dying. Afterwards, she would cover the eggs as best she could to hide them from hungry trout.


Since it was raining when we were last in Talkeetna, I didn’t have any pictures and wanted to return. It’s such an odd place. We fed leaves to two captive caribou. Bill and Ryley touched their velvety antlers. A naked, obnoxious guy baited tourists for attention on the Talkeetna River beach. “Welcome to Talkeetna,” he sang strumming his guitar. Almost 80 degrees, we attributed his attire to a dose of spring fever; his mouth deserved a dose of Ivory. “Keep your eyes on the prize,” he called to a passing raft holding his penis.

Ryley and I split a pie at the well-recommended Mile High Pizza while Bill ate BBQ. At the hotel, Ryley and I soaked in the hot tub, a view of the snowy mountain peaks in the distance. Back in the lower 48, Barry Bonds hit his 756th. Ugh.

Wednesday, June 4, 2008

Innovative Stock Photo Co. Pays Photographers 70%

Watch out Getty—there's a new kid in town. Photoshelter.com is a global stock photo site with more than 17,000 photographers and growing. They're paying photographers 20-30% more than all other stock houses—a generous 70% of every sale. As a result, they've built an impressive collection of high quality images in a short amount of time.

Sign Up/Submit. I decided to take the plunge and submit some images. First, I became a member (free). Their review process takes about 5 business days. I did a couple of searches and saw that they didn't have many fair or cowgirl shots, so I submitted a few images from my Dutchess County Fair and Cowgirl collections. Sure enough, after about 5 days, they emailed me a notification that most had been accepted. (Good idea to read up on what kinds of images they’re looking for. Just read a topic in the general forum from an established photographer whose image were rejected because they already had similar ones on file.)

Keywords. Their artist-friendly software made it painless to upload photos, assign keywords, attributes, and upload releases. They recommend assigning 15-30 keywords for every image. If you need help with this, they have great tips. Releases aren't required, but many companies won't use an image without knowing one is on file.

Pricing. You can choose to sell your images on a royalty-free or royalty basis. Choose from default price points—low, medium, high—or set up custom prices.

Ongoing. Since the process is easy, I set up a Photoshop action to save photos for submitting to Photoshelter and try to upload new images a couple of times a week. They allow you to submit up to 50 per day and 200 per month.

Research Calls. When they receive specific calls for images they can't fill with existing stock, they post the requests. This is a new service, so I was lucky to receive an enewsletter about it and checked it out. The first call on the list was for beach photos from Mexico. I had some! Responding to these calls excuses you from the usual submission procedure.

Personal Archive. You can set up a personal archive of images much like you can do on flickr.com. I have yet to fully investigate how to put this feature to good use. Let me know what you discover.

Submit your stuff today. Good luck!